Douglas Trumbull’s 1972 sci-fi film appeared just as space tales were becoming increasingly cold and remote. Silent Running changed that by firmly rooting its futuristic vision in the kind of realistic, beat-up features found in everyday life. On board the Valley Forge, a gigantic converted cargo based on a real, retired aircraft carrier, the sets appeared to be in constant use. The pipes, consoles, and congested halls appeared practical rather than sleek. This method lured the viewer into a world that seemed plausible, one in which technology serviced human needs rather than the other way around.
