Photo credit: Cosmic Background
Photographer Andrew McCarthy knows that capturing a perfect image of the moon in one shot is nearly impossible, even with a high-end DSLR, so he decided to stitch together dozens of shots to create the composite that you see here. To be more specific, it’s made from two weeks of moon waxing and he took the lunar terminator of the picture that has the most contrast (where shadows are the longest), aligned and blended them to show the rich texture across the entire surface.
Ensuring that he had the moon perfectly aligned, McCarthy trained his camera on the craters closest to the lunar terminator every night for two weeks as it waxed toward complete illumination. This resulted in high-contrast, high-definition photos of every crater on the moon’s Earth-facing side. However, blending all of these shots together proved to be a headache, but a worthwhile one at that.
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